The kids Clogged the sink Wet spaghetti Kitty litter The Iliad
The Birds loudly say their names In spring The assonance of making a living Which side of the moon Is homework In spring Puddles have telekinetic reflections And walk on their fingers Furthermore, the séance of computation Is poetry A lone piano Tuned like a pinecone ~ Down the road Even the sun is dust, even arithmetic is dust But the dust on this road such fictions Sweating with the undreamt dark dreaming Queried with meanderings ~ At the rummage sale I found a copy of Charles Reznikoff, Complete Poems And some trading cards of Bill and Ted’s Excellent Adventure I would never walk the city the same after reading Reznikoff Hereafter always I would deal with the oddity of time travel with the greatest of ease
A bowl filled with letters or a bowl filled with numbers, which is less organized? Some of the frayed universe for pockets. I was looking forward to the time off. I wasn't going to write. Or read. I would smoke a joint and watch Buckaroo Bonzai. I would bathe. The light reflected by the earth is less organized. Then when it left The sun. Same for the moon at night. The boiling pot is order. I would walk. You first need to acquire an almost super-awareness of the dusk. Also, it will cost you a letter in your name. Henceforth to be omitted, in writing and in speech. Do your socks match the awful joy that for some brief perspective no matter the foreground includes its end? To get an idea, watch rain drawn down a pane. It's not chaos. And if we had the guts, it would stir us home more than it does. At the end of the night, at the end of our exploration, you wanted to know my name. But it wasn't mine to give. The paperwork we found, we burned it, it was mostly poetry. You said we should write down afterwards how we remember it. And the ghosts, they too had names. Remember them. I made a list of all the groceries. But due to long Lines, instead I found a list of all the unmade beds in the city. Including a short biography on the pillows. Send a SASE. Do not include my address. Put it into a bottle. Fold it into a plane. I know where to look for it. I have a knack For lost places.
The ground is The same color as a hole In the ground. The first robins Are paradigms by default. Would you know the difference Between a blue jay and the moon? My raincoat ate Wandering and Bridges, filled Its teeth with the velocity Of the sky. And me, Because it’s spring, I invented the soles of dusk Into rucksacks for cosmic Travel. Menaced by haphazard, Monopolies of emancipation, I remember too The heckles of eternity Up from the dirt, Of our breathe, Of our hearts, Of our symbols. I remember, Because it’s spring, How to forget All that is the self And all that is not. Your distant check bones carry The blue-gray sky before the earth turns away. What does it mean to leave a part of yourself behind? How do you know to miss it?
We were as beautiful as planetariums, On the hems of undressed ghosts, Like sleeveless butterflies Accustomed to otherworldly gravity. We made the poetry to accompany The soles of lost swimmers On the outskirts of deserted rooms. Enamored By the ambush of lifting the sky, The dark Forever bursting of inexplicable Word galaxies. But now, You are far away And move On two legs Of falling leaves. And there is little going back. If At all. But for such misfits as us, From the arches to the hairline, Into the unnoticed graves of greatness, There will be a lasting reaching out. The dizziness of daisies setting fire To our hearts.
You sit Here and invest in the part of you That has no beginning. Eyes fixed on the wooden Fireflies. A deserted city for a headband. Shoulders like Heisenberg's uncertainty Principle. The to-do list of dusk in the air. Which you have always taken seriously. And a tattoo Of wings put on the bottom of the feet. The Void for what it is, the thread count of Existence. You think, Did the universe inflate, superfluous Of compass, all in one go of it? Behind you the sky, Not knowing how many Keys make an accordion, Shoulders the long way Home. This is clear. As it is uneven, and croaked like meaning. Like a portrait. What the words have to do with this, Is an emergency.
This I will say plain,
I will not
Sabotage distance with
Preoccupation, I will not
Dirty the socks of the moon
Let them be.
That’s why shadows are important,
They tend to adhere to you,
So you are what you are not,
Jumping atop lost pianos
In factory made shoes, singing
The birds are the perfect cents.
Originality is propaganda,
Must precipitate into fairy tales.
Like November helicopters
Gathering up the body slams of dusk.
Pillows that are fire
For this garden head.
Is there anywhere for the universe to pull over? To park, to fall in love? A well-kept bike, a stack of poems in disarray. What if these poems really did mean something? How terrifying. The menu of poets Is full of branches. The books on the fridge. I'll get to them soon. After a walk and a few more months of procrastinating. I’ll write poems too. Small ones, by an open window. The moon like a dog licking a plate. Mirrors reflect, yes, but they Don’t know left from right. A group of dusk is called a vanish. The wild arteries of stars Do they feel it too? The quiet celebrity of being alone.
(revised from an earlier post)
I would have me emptied, and to remain behind. A plastic bag gripping a winter tree, in the wind, and the sound it makes is empty. You hear shoes down the hall, though you don’t live in a house. They sound as if they are approaching. The truth is, they are not getting any nearer. And you remember you have been left behind. Reflections in a bowl, sometimes city lights, sometimes the stars, for dinner. You stop to read the graffiti, and the notes tapped to windows, posted from the inside facing out, written on, leaving no margins: I think this happens more so than it should, in poorer cities. I would have me slapstick readied, though I remain on board. I know the captain has burned the charts. I know the city birds are one big computer. The notes in the windows sometimes include pictures: an angel with the living earth for feet, or burning trees with typeset for flames. A skirmish of ghosts, folding in on itself, breathes its last. I am at sea. Without a bathing suit in the arms of stars.
More fictitious than thunder
Between the fingertips of the moon,
Is utter non
Played without jest,
A box of giggles
Forgotten of hat,
A grave contest drawn in
The dust of stars.
You will not know the self.
The self is not enough.
But you will burn nonetheless.