This is a Mess

Time is a messy theology 

Ontology is marginalia

All the failed zoning of dreams

The horizon buries treasure

The best grammar drinks hose water

Gravity marks the spot

Chance is the logic of logic

Determinism is a just-so story

Chaos is the directory for the future

Footsteps carry a curt philosophy

The April moon is sparse of ideology

The moments that harbor infinity

Never last and never leave us

The stars are as mortal

As the peacock



Walking is a Reflection of the Inverse of a Dream

Trains and electrical towers buzzed in his head. The locomotive is a moth that drinks only from puddles that harbor the reflection of the moon.

And the moth, now a locomotive again, falls into the reflection of the moon.

Later that night, neither the rain nor the rain against the windowpane make a sound. It is the tree roots drinking, it is the roots of stars drinking. That resonate.

As Beautiful as a Planetarium (In Couplets)

Abstract sandwiches
Are baloney.

The ping pong playing peonies
Of electric yesterdays.

Distance is simple.
It smells feral and wears the sky on its head.

Rayguns and eyebrows
Volcanoes and arrows.

Apple unicycle bird
Barbarian heyday song.

A silly sleep of fire
Turning over like a dream.

The sun is a handkerchief
And badly in need of some tattoos.

This isn’t funny
But almost hilarious.

Writing love themes
For the galaxy.

Or Whatever Fuel UFOs Run On

The afternoon smells like a waltz. With hints of a
Mosh pit.

Tuesdays are for études. And classic rock
Tee shirts.

Let’s meet at the bodega and buy cans of beer and a bag of peanuts.
Feed the crows and make a day of it at the park.

Your eyebrows are infinite. Don’t laugh. I’m serious.
I want to open a gas station for UFOs.

Offbeat

Atonal butterflies 
Like crackers breaking in half
In midair

Harmonious as a leak
Legible as a cold draft

Atonal daffodils
Are allergic to nihilism
And gardens

Use pointless random parades as currency
Robins are the first proletarians of spring

Even in Spring

The moon is a drought 
Like a harpsichord in a vacuum

Overflowing with rivers
That are dreams


The dusk is scarlet like autumn
Even in the spring

Can a river ever find footing
Asked the lighted match


Ice is bottomless
Said the crows

From the bare winter boughs
But never absolute

A Dream

Preferably the dreams
Arriving from the blue sea
To the pentameters of oars

What it means
To have instead of coins
These spirited verses

Ashore the ghosts set fire
To their own ships
To bar the way back

Here they trace the portents
On the incoming tide
And make their final stand

The Invisible Violin

An abstract verse brings out the eyes, said the florist.

How one cradles a thunderstorm is philosophy. As is counting your lover’s footsteps on the untuned floor as the footsteps turn into motes in the afternoon light.

Every dream is a superstition that has a lot to say about you.

Do you hear, as well, the climbing notes in the setting sun? The bird-like departure of psychology into the horizon?

A psychology that has the structure of an invisible violin and an imaginary amulet. That with the changing of the seasons will find its way back to you.